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What
is Kali?
By Grandmaster
Ben Largusa
Kali
is an ancient form of martial art of Indonesia and the
Philippines. Before Spanish colonization,
the Philippine area was part of the old Indonesian empires.
It is traced back to
the Sri Vishayan Empire in Sumatra in the 5th century
with Hindu-Malayan influence by Arab
missionaries.
Chinese
records note that in 983 a ship owned or commanded by
an Arab and loaded with valuable
merchandise arrived in Khanlu (Canton) from Ma-i or
Mo-yi (the Mayid of the Arabs).
Maj is an island in the Philippines, either Mindoro
or Luzon. Eventually, this led to Ma-i
Nila or Maynila and on to Manila.
By
tradition, the art of Kali always played alongside its
counterparts, the other Indonesian martial
arts of the Silat, Pentjak, and Kuntao. Kali is
a martial art practiced by the Indonesians
during the Indonesian empires. Tribal cheftains
such as Sultans, Datus, and Rajahs
and their warriors fought with this ancient art. Magellan
and his men were defeated
by Lapu-Lapu and his warriors with Kali, not Escrima
or Arnis as popularly known.
Kali is the forerunner and mother art of Escrima
and Arnis.
One
theory reveals that the name Kali come from Kalis, a
bladed weapon; and the letter “s”
was eventually dropped. Another theory leads us
to believe that Kali came from the names
of the first syllable of Kamut (hand) and the first
syllable of Lihok (movements). The
names of Escrima and Arnis came into existence during
the Spanish colonization period.
Escrima came from the French word Eskrima, meaning
to “fence" or “skirmish” and Arnis
came from the Spanish word “Arnis de Mano” meaning to
“Harness the Hands”. Ancient
Kali includes fighting techniques of empty hands, kicking,
bladed weapons, hard sticks,
rattan sticks, hard wooden weapons that are shaped like
long side blades, lances and
staffs, bows and arrows and explosive projectile weapons
from guns to cannons. Kali
and other Indonesian martial arts were developed and
influenced by the following migration:
(1)
Primitive Negritos, came by
means of land bridges from Central Asia
during
prehistoric times, were the first settlers. Their
favorite weapons
was,
and still is the bow and arrow.
(2)
From 200 BC, the Malays from
southeast Asia came to Indonesia and
the
area now called Philippines bringing with them the long
knife. They
are
expert fighters with the daggers, spears and the
bow and arrow.
(3)
A Second Malay migration, which
began in the early years of the
Christian
era and continued until the 13th century, brought other
bladed
weapons.
(4)
At the start of the 14th century,
a 3rd Malay migration began and
continued
until the middle of the 15th century. These people,
the ancestors
of
the present day Muslim Indonesians and Filipinos
were religious
fanatics, steeped
in Muhammedanism. They favored
blade weapons
but were skilled with sticks, bows
and arrows of various
designs,
as well as explosive projectile weapons from guns
to
cannons.
(5)
Extensive trade relations with
China in the 9th century brought T’ang Dynasty
martial skills.
(6)
During the Sung (960 – 1127)
and Ming (1368 – 1644) dynasties, migration
to the Philippines were heavy and large Chinese colonies
were
established in coastal areas.
The
foregoing reveals that Kali has classical roots and
values; and it is therefore a classical
martial art. The mixed fighting methods resulted
in efficiency and uniqueness. Kali
was well developed by the 16th and 17th centuries.
The
late Grandmaster Floro Villabrille used Kali to fight
in death matches in the Philippines,
Australia, and Hawaii. He took Kali to a high
level and founded the Villabrille System
of Kali. On July 4, 1933, after having excelled
himself in the National Grand Sports
Competition, Martial Arts Division in Manila, Philippines,
Floro Villabrille at 23 years of
age was certified as Philippines' Grandmaster of Martial
Arts by then Governor-General, Frank
Murphy.
The
same martial art skills and techniques are taught today
by the schools of the Villabrille-Largusa
Kali System. The late Grandmaster Floro Villabrille
is the founder of the Villabrille
System of Kali and designated Grandmaster Ben Largusa
to systemize and break-down
his style for public teaching. Hence, the official
name of the style: Villabrille-Largusa
Kali System. Tuhan (Master) Mel Lopez of California
is the director of the
Villabrille-Largusa Kali System and the Kali Association
of America. KAA member
schools
teach weaponry, empty hand (Kinamot and Panantukan)
and kicking (Sikaran) techniques.
Kali is taught today for self-defense and fitness;
but every aspect and characteristic
of combat is maintained, regarded and practiced with
the greatest honor and
respect.
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